{"id":1268,"date":"2016-12-10T08:10:54","date_gmt":"2016-12-10T08:10:54","guid":{"rendered":"http:\/\/arte351.pt\/art\/?p=1268"},"modified":"2016-12-17T10:57:10","modified_gmt":"2016-12-17T10:57:10","slug":"aposta-na-vanguarda","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2016\/12\/10\/aposta-na-vanguarda\/","title":{"rendered":"APOSTA NA VANGUARDA"},"content":{"rendered":"

De acordo com o curador Roberto Comodo, com a exposi\u00e7\u00e3o \u201cPop, Nova Figura\u00e7\u00e3o e Ap\u00f3s\u201d, a Ricardo Camargo Galeria, Jardim Paulistano, S\u00e3o Paulo, SP, \u201c\u2026reafirma a aposta na ousadia de diferentes enfoques da vanguarda brasileira dos anos 60, que agora ganha merecido reconhecimento internacional\u201d.<\/h3>\n
\"Ant\u00f4nio
Ant\u00f4nio Henrique<\/figcaption><\/figure>\n

A palavra do curador<\/strong><\/p>\n

Em 2015 duas megaexposi\u00e7\u00f5es internacionais, a The World Goes Pop, da Tate Modern de Londres; e a mostra itinerante pelos Estados Unidos International Pop, promovida pelo Walker Art Center, de Minneapolis \u2013 colocaram a Pop Art no centro das artes pl\u00e1sticas mundiais. Obras de Antonio Dias, Wesley Duke Lee, Cl\u00e1udio Tozzi, Nelson Leirner, Raimundo Colares e Glauco Rodrigues, entre outros artistas, brilharam nessas mostras.<\/p>\n

Antecipando este movimento num gesto ousado para o mercado, a Ricardo Camargo Galeria realizou em 2007 a exposi\u00e7\u00e3o Vanguarda Tropical, reunindo 44 trabalhos de oito artistas pl\u00e1sticos expoentes da arte brasileira dos anos 60. Foi tamb\u00e9m um gesto coerente deste galerista, que mant\u00e9m contato cont\u00ednuo h\u00e1 quase 50 anos com os artistas da vanguarda nacional, iniciado na galeria Art-Art \u2013 a primeira galeria de arte contempor\u00e2nea de S\u00e3o Paulo, inaugurada em dezembro de 1966 \u2013 e em seguida na Galeria Ralph Camargo, que a sucedeu.<\/p>\n

\"Claudio
Claudio Tozzi<\/figcaption><\/figure>\n

Agora, com a exibi\u00e7\u00e3o de \u201cPop, Nova Figura\u00e7\u00e3o e Ap\u00f3s\u201d, a Ricardo Camargo Galeria, fecha um ciclo e tamb\u00e9m abre novas fronteiras. A mostra apresenta 58 obras, 18 delas in\u00e9ditas, de 25 artistas de ponta da arte nacional, que transitaram entre a Pop Art e a Nova Figura\u00e7\u00e3o ou foram al\u00e9m \u2013 como Mira Schendel com o desenho \u201cS\u00edmbolos\u201d, de 1974, feito em caneta hidrogr\u00e1fica, e Ivald Granato homenageado em um emblem\u00e1tico \u00f3leo de 1977.<\/p>\n

Na exposi\u00e7\u00e3o, a contund\u00eancia do in\u00e9dito \u00f3leo de Antonio Henrique Amaral, \u201cBanana grafite com cordas\u201d, de 1973, sintetiza seu vigoroso rep\u00fadio ao regime militar e mant\u00e9m di\u00e1logo com o objeto \u201cCatraca\u201d, de Claudio Tozzi, travada por um cadeado no ano de 1968, quando a ditadura iniciou a sua fase mais repressiva. Tozzi ainda est\u00e1 presente com \u201cMultid\u00e3o\u201d (1968) e no trabalho in\u00e9dito \u201cViet Paz\u201d, (1966), que retrata a desigual e brutal Guerra do Vietn\u00e3, entre demais obras. Seu colega de gera\u00e7\u00e3o, Rubens Gerchman se imp\u00f5e com a majestosa tela \u201cMata e o arrojo de Gnosis\u201d, em spray sobre alum\u00ednio, pintadas em Nova York nos anos 70, al\u00e9m da pintura e colagens Policiais identificados da chacina, da s\u00e9rie \u201cRegistro Policial\u201d, de 1988.<\/p>\n

Na vertente Pop, Maur\u00edcio Nogueira Lima, que foi um puro concretista, surpreende com as exuberantes telas \u201cBang!\u201d, \u201cGoool\u201d e \u201cTchaf! Negativo\u201d, todas de 1967; e no exclusivo retrato de Marilyn Monroe, feito em 1969. J\u00e1 Jos\u00e9 Roberto Aguilar expande a sua nov\u00edssima figura\u00e7\u00e3o m\u00e1gica no \u00f3leo \u201cDestruidor de mitos\u201d, de 1965, e \u201cCenas Urbanas\u201d, sua primeira pintura com spray sobre tela, elaborada em 1966. S\u00e3o obras que mant\u00e9m proximidade com as de Tomoshige Kusuno, autor do monumental painel de telas a \u00f3leo esticadas em estrutura de madeira, de 1970, e das delicadas obras \u201cVibra\u00e7\u00e3o de Res\u00edduos\u201d, \u201cHeran\u00e7a da perspectiva\u201d e \u201cDiamante n\u00ba 6\u201d, feitas nos anos 60.<\/p>\n

\"Aguilar\"
Aguilar<\/figcaption><\/figure>\n

O mestre Wesley Duke Lee ressurge na mostra com a arte ambiental \u201cRetrato de Luzia (a Santa Amarense)\u201d ou \u201c\u00e0 respeito de Titia\u201d \u2013 liquitex sobre tela e planta viva em um vaso \u2013 que participou da exposi\u00e7\u00e3o Iconografia Bot\u00e2nica na inaugura\u00e7\u00e3o da Galeria Ralph Camargo em 1970. Al\u00e9m da obra \u201cRetrato de um amigo\u201d, (Guido Santi, presidente da Olivetti na \u00e9poca), de 1967, inteiramente Pop, com sua moldura recortada; e o exemplar da S\u00e9rie das Ligas, de 1960, a obra mais antiga da exibi\u00e7\u00e3o.<\/p>\n

Ex-alunos de Wesley, Luis Paulo Baravelli mostra o rar\u00edssimo trabalho \u201cCeci e Peri\u201d, de 1968, em madeira bruta pintada, azulejos e madeira balsa, enquanto Carlos Fajardo exp\u00f5e o singular \u00f3leo \u201cSantos Dumont\u201d, pintado em 1967. Com a obra mais recente na mostra, o ir\u00f4nico esp\u00edrito contestador de Nelson Leirner surge em \u201cJogos Americanos\u201d, de 2001, nas 40 unidades de silk-screen sobre f\u00f3rmica que indaga \u201cVoc\u00ea tem fome de que?\u201d, que foram expostas no Museu de Arte Moderna de S\u00e3o Paulo.<\/p>\n

Outras preciosidades da exposi\u00e7\u00e3o s\u00e3o os tr\u00eas trabalhos de Antonio Dias, dois deles dos anos 60 \u2013 um caracter\u00edstico guache e um ladrilho esmaltado a fogo \u2013 al\u00e9m da deslumbrante xilogravura \u201cF\u00f3sforos\u201d, de 1978, em spray acr\u00edlico azul. Nesse mesmo patamar tamb\u00e9m est\u00e3o tr\u00eas pinturas de Glauco Rodrigues dos anos 60, duas da s\u00e9rie \u201cAstronauta\u201d \u2013 que estiveram na sua primeira individual na famosa Galeria Relevo, no Rio de Janeiro, de Jean Boghici, em 1966 \u2013 e a inusitada \u201cCara e careta\u201d. Al\u00e9m de duas obras de Raimundo Colares de 1966 \u2013 em l\u00e1pis, nanquim e aquarela \u2013 com seu vibrante grafismo inspirado nas cores dos \u00f4nibus cariocas.<\/p>\n

\"Glauco
Glauco Rodrigues<\/figcaption><\/figure>\n

A mostra da Ricardo Camargo Galeria traz ainda obras significativas de artistas importantes, mas pouco vistos, realizadas na d\u00e9cada de 60, como Maria Helena Chartuni e Samuel Szpigel. Totalmente pop, Maria Helena exibe um \u201cDipt\u00edco de Roberto Carlos\u201d, um \u201cTr\u00edptico do Chacrinha e seus calouros\u201d e um exuberente \u201cOstent\u00f3rio de Marilyn Monroe\u201d, com \u00f3leo sobre tela recortada e montada em estrutura de ferro pintado. J\u00e1 Szpigel realiza uma retumbante e mordaz cr\u00edtica pol\u00edtica nas telas \u201cAlian\u00e7a para o Progresso\u201d e \u201cLiberdaaaade\u201d.<\/p>\n

Com a exposi\u00e7\u00e3o \u201cPop, Nova Figura\u00e7\u00e3o e Ap\u00f3s\u201d, a Ricardo Camargo Galeria reafirma a aposta na ousadia de diferentes enfoques da vanguarda brasileira dos anos 60, que agora ganha merecido reconhecimento internacional.<\/p>\n

Roberto Comodo<\/p>\n

At\u00e9 23 de dezembro de 2016.<\/strong><\/em>
\nReabre de 03 a 31 de janeiro de 2017.<\/strong><\/em><\/p>\n

\"avatar_renato_rosa\"<\/a><\/em><\/h5>\n
Coluna – Renato Rosa<\/b><\/a><\/em><\/h5>\n
\n
Renato Rosa, brasileiro, S\u00e3o Gabriel, RS, Brasil, 1946. Marchand, pesquisador, editor do jornal cultural O PARALELO do site www.bolsadearte.com\/oparalelo<\/a>, co-autor do \u201cDicion\u00e1rio de Artes Pl\u00e1sticas no Rio Grande do Sul\u201d, (2\u00aa edi\u00e7\u00e3o, 2000, esgotada) Editora da Universidade\/UFRGS.<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

De acordo com o curador Roberto Comodo, com a exposi\u00e7\u00e3o \u201cPop, Nova Figura\u00e7\u00e3o e Ap\u00f3s\u201d, a Ricardo Camargo Galeria, Jardim Paulistano, S\u00e3o Paulo, SP, \u201c\u2026reafirma a aposta na ousadia de […]<\/p>\n","protected":false},"author":34415,"featured_media":1273,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1268","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sem-categoria"],"yoast_head":"\nAPOSTA NA VANGUARDA - Arte351 - Art Magazine Portugal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte351.pt\/art\/2016\/12\/10\/aposta-na-vanguarda\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"APOSTA NA VANGUARDA - Arte351 - Art Magazine Portugal\" \/>\n<meta property=\"og:description\" content=\"De acordo com o curador Roberto Comodo, com a exposi\u00e7\u00e3o \u201cPop, Nova Figura\u00e7\u00e3o e Ap\u00f3s\u201d, a Ricardo Camargo Galeria, Jardim Paulistano, S\u00e3o Paulo, SP, \u201c\u2026reafirma a aposta na ousadia de […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arte351.pt\/art\/2016\/12\/10\/aposta-na-vanguarda\/\" \/>\n<meta property=\"og:site_name\" content=\"Arte351 - Art Magazine Portugal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/arte351magazine\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-10T08:10:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-12-17T10:57:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/12\/arte-351-0001.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Equipa Arte 351\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Equipa Arte 351\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/12\\\/10\\\/aposta-na-vanguarda\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/12\\\/10\\\/aposta-na-vanguarda\\\/\"},\"author\":{\"name\":\"Equipa Arte 351\",\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/#\\\/schema\\\/person\\\/1d081d5dbc7c2a3f2317da95c823a5bd\"},\"headline\":\"APOSTA NA VANGUARDA\",\"datePublished\":\"2016-12-10T08:10:54+00:00\",\"dateModified\":\"2016-12-17T10:57:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/12\\\/10\\\/aposta-na-vanguarda\\\/\"},\"wordCount\":1008,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/12\\\/10\\\/aposta-na-vanguarda\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/arte351.pt\\\/art\\\/wp-content\\\/uploads\\\/2016\\\/12\\\/arte-351-0001.jpg\",\"articleSection\":[\"Blog ARTE-351\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/12\\\/10\\\/aposta-na-vanguarda\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/12\\\/10\\\/aposta-na-vanguarda\\\/\",\"url\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/12\\\/10\\\/aposta-na-vanguarda\\\/\",\"name\":\"APOSTA NA VANGUARDA - 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