{"id":1414,"date":"2017-02-09T09:35:30","date_gmt":"2017-02-09T09:35:30","guid":{"rendered":"http:\/\/arte351.pt\/art\/?p=1414"},"modified":"2017-02-27T20:45:35","modified_gmt":"2017-02-27T20:45:35","slug":"wolfenson-no-anexomillan","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2017\/02\/09\/wolfenson-no-anexomillan\/","title":{"rendered":"WOLFENSON NO ANEXO\/MILLAN"},"content":{"rendered":"

O Anexo Millan, Anexo, Vila Madalena, S\u00e3o Paulo, SP, apresenta s\u00e9rie in\u00e9ditas de fotografias na exposi\u00e7\u00e3o individual \u201cN\u00f3soutros\u201d, de Bob Wolfenson, realizadas nas ruas de visitadas pelo mundo afora, com \u00eanfase em Nova Iorque. O fot\u00f3grafo paulistano apresenta, desta vez, um conjunto de 28 trabalhos feitos ao longo de quatro anos, em cerca de 15 cidades do mundo, sempre em esquinas, cruzamentos e faixas de pedestres.<\/h3>\n

 <\/p>\n

A palavra do artista<\/h3>\n

N\u00f3soutros<\/h3>\n

A ideia desta s\u00e9rie me ocorreu em 2012, num passeio pela praia de Coney Island, nos arredores de Nova York. Ao iniciar o caminho de volta a Manhattan, observei com interesse uma massa de desconhecidos entre si que aguardavam para atravessar a rua depois de um dia de lazer intenso sob o sol escaldante do ver\u00e3o nova-iorquino. A postura compartilhada de meros pedestres esperando o sinal abrir os tornava semelhantes, ao mesmo tempo que figurinos e tatuagens, anatomia, cor da pele e atitude (euforia ou introspec\u00e7\u00e3o) os distinguia. Fotografei-os com minha Leica de pequeno formato e guardei essas imagens como uma simples curiosidade de viajante. Mais tarde, ao rev\u00ea-las em meu computador, surgiu a vontade de fotografar e organizar cenas como aquela mundo afora, ressaltando um dos mais marcantes paradoxos do ser humano, t\u00e3o evidente naquele primeiro instante registrado: o de ser igual e diferente, o desejo de pertencer a um grupo e ao mesmo tempo querer se distinguir dele.<\/p>\n

A ambi\u00e7\u00e3o de criar pain\u00e9is representativos de identidades humanas diversas por\u00e9m gen\u00e9ricas me levou a v\u00e1rios pa\u00edses e popula\u00e7\u00f5es. Um ano depois voltei a Coney Island, devidamente equipado com uma c\u00e2mera de m\u00e9dio formato cuja performance na captura das imagens em alta defini\u00e7\u00e3o \u00e9 sua caracter\u00edstica principal \u2013 suponho e quero que este aspecto permita ao espectador passear os olhos pelas amplia\u00e7\u00f5es e ver at\u00e9 o que o fot\u00f3grafo n\u00e3o enxerga quando dispara o obturador. Escolhi tamb\u00e9m fotografar grupos mais singulares, como os judeus ortodoxos de Crown Heights, os afro-americanos do Harlem, ambos em Nova York, bem como executivos engravatados chegando ao trabalho num t\u00edpico dia de frio do inverno ingl\u00eas, na City londrina. No mais, a maioria das cenas mostradas aqui foi feita a partir da procura fortuita de lugares onde o afluxo de transeuntes parecesse adequado ao meu intuito. No entanto, ao postar a c\u00e2mera em um cruzamento e apont\u00e1-la para os que v\u00e3o atravessar a rua, encontrei naturais desconfian\u00e7as, mas encontrei tamb\u00e9m: as velozes transforma\u00e7\u00f5es dos h\u00e1bitos urbanos, os m\u00faltiplos signos da moda e a pluralidade \u00e9tnica cada vez mais comum na vida contempor\u00e2nea. Tudo isso emoldurado por recortes nas grandes metr\u00f3poles e pela condi\u00e7\u00e3o clim\u00e1tica vigente de cada \u00e9poca e local, a qual determinava a roupa e os humores dos passantes.<\/p>\n

O processo de realiza\u00e7\u00e3o das fotografias seguiu princ\u00edpios r\u00edgidos: as tomadas foram sempre feitas em cruzamentos ou faixas de seguran\u00e7a, e as pessoas estavam de fato naqueles lugares, mesmo que n\u00e3o tenham sido fotografadas no mesmo momento em que as que aparecem a seu lado na c\u00f3pia final. Fiz algumas montagens para ressaltar os pressupostos que me levaram a realizar esta ideia. Por mais racional que seja uma empreitada como esta, o imponder\u00e1vel estar\u00e1 sempre presente enquanto houver o instante fotogr\u00e1fico. Nos anos em que me dediquei a este trabalho, pude perceber claramente que quando se est\u00e1 com uma m\u00e1quina fotogr\u00e1fica no meio da rua, mesmo que com um trip\u00e9 e com conceitos espec\u00edficos em mente, n\u00e3o se pode controlar muita coisa. A rua \u00e9 viva e nos imp\u00f5e essa vivacidade.<\/p>\n

De 31 de janeiro a 24 de fevereiro.<\/h3>\n

 <\/p>\n

<\/h4>\n

\"avatar_renato_rosa\"<\/a><\/em><\/h5>\n
Coluna – Renato Rosa<\/b><\/a><\/em><\/h5>\n
\n
Renato Rosa, brasileiro, S\u00e3o Gabriel, RS, Brasil, 1946. Marchand, pesquisador, editor do jornal cultural O PARALELO do site www.bolsadearte.com\/oparalelo<\/a>, co-autor do \u201cDicion\u00e1rio de Artes Pl\u00e1sticas no Rio Grande do Sul\u201d, (2\u00aa edi\u00e7\u00e3o, 2000, esgotada) Editora da Universidade\/UFRGS.<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

O Anexo Millan, Anexo, Vila Madalena, S\u00e3o Paulo, SP, apresenta s\u00e9rie in\u00e9ditas de fotografias na exposi\u00e7\u00e3o individual \u201cN\u00f3soutros\u201d, de Bob Wolfenson, realizadas nas ruas de visitadas pelo mundo afora, com […]<\/p>\n","protected":false},"author":34415,"featured_media":1415,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colunistas"],"yoast_head":"\nWOLFENSON NO ANEXO\/MILLAN - Arte351 - Art Magazine Portugal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte351.pt\/art\/2017\/02\/09\/wolfenson-no-anexomillan\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"WOLFENSON NO ANEXO\/MILLAN - 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