{"id":1440,"date":"2017-03-09T00:07:44","date_gmt":"2017-03-09T00:07:44","guid":{"rendered":"http:\/\/arte351.pt\/art\/?p=1440"},"modified":"2017-03-17T00:20:47","modified_gmt":"2017-03-17T00:20:47","slug":"vera-chaves-barcellos-no-paco-imperial","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2017\/03\/09\/vera-chaves-barcellos-no-paco-imperial\/","title":{"rendered":"VERA CHAVES BARCELLOS NO PA\u00c7O IMPERIAL"},"content":{"rendered":"

Fotografias, manipula\u00e7\u00f5es e apropria\u00e7\u00f5es<\/h3>\n

O Centro Cultural Pa\u00e7o Imperial \u2013 RJ em parceria com a Funda\u00e7\u00e3o Vera Chaves Barcellos inaugura em 16 de mar\u00e7o, \u201cFotografias, manipula\u00e7\u00f5es e apropria\u00e7\u00f5es\u201d, exposi\u00e7\u00e3o individual fotogr\u00e1fica da artista Vera Chaves Barcellos, importante nome da arte contempor\u00e2nea brasileira. A sele\u00e7\u00e3o de trabalhos, feita pela pr\u00f3pria artista, abrange um recorte temporal de mais de quatro d\u00e9cadas de sua produ\u00e7\u00e3o criativa, ancorada na utiliza\u00e7\u00e3o est\u00e9tica, cr\u00edtica e reflexiva da imagem fotogr\u00e1fica. O p\u00fablico poder\u00e1 conferir s\u00e9ries sequenciais de imagens que instigam a percep\u00e7\u00e3o do espectador para um exerc\u00edcio de visualidade mais amplo, sist\u00eamico e cr\u00edtico. A exposi\u00e7\u00e3o apresenta obras representativas dos diversos modos de utiliza\u00e7\u00e3o do emprego da cor e da imagem fotogr\u00e1fica \u2013 entre manipula\u00e7\u00f5es e apropria\u00e7\u00f5es \u2013 experimentados pela artista desde os anos 1970 at\u00e9 a atualidade. Assim, simples registros fotogr\u00e1ficos \u2013 ora exibidos como tal, ora manipulados \u2013 imagens coletadas da m\u00eddia impressa, televisiva e da internet, geram s\u00e9ries que, expandidas e reconsideradas pelo pensamento visual da artista, originam e estimulam \u00e2ngulos in\u00e9ditos de relacionamento com a fotografia.<\/p>\n

\"\"<\/p>\n

Vera Chaves Barcellos Fotografias, manipula\u00e7\u00f5es e apropria\u00e7\u00f5es<\/h3>\n

Por Claudia Giannetti<\/strong><\/em><\/p>\n

A exposi\u00e7\u00e3o monogr\u00e1fica de Vera Chaves Barcellos exibe, por primeira vez no Rio de Janeiro, um amplo panorama da obra da artista ga\u00facha com e em fotografia. Vinte trabalhos, desde 1975, cobrem quatro d\u00e9cadas de cria\u00e7\u00e3o, nos quais convivem dois tipos de produ\u00e7\u00e3o: obras h\u00edbridas (fotografias manipuladas e imagens apropriadas de registros da m\u00eddia) e fotografias autorais. A linguagem serial, amplamente explorada, desencadeia m\u00faltiplas associa\u00e7\u00f5es imag\u00e9ticas e narrativas.<\/p>\n

Auto-retrato em espelho (2013)<\/figcaption><\/figure>\n

Seis eixos tem\u00e1ticos principais estabelecem di\u00e1logos temporais e nexos conceptuais e formais entre as obras. Gestos: \u201cDo aberto e do fechado\u201d, \u201cO grito\u201d, \u201cL\u2019 Intervallo Perduto\u201d e \u201cThe Birds\u201d. Express\u00f5es faciais e gesticula\u00e7\u00f5es comunicam emo\u00e7\u00f5es e estados ricos em significados, que, descontextualizados, podem transitar da eloqu\u00eancia para o sil\u00eancio. Her\u00f3is an\u00f4nimos: \u201cOs Nadadores\u201d, \u201cMenex\u00e9ne\u201d e \u201cO Peito do H\u00e9roi\u201d. Os desportistas, os prisioneiros e os mitos personificam condi\u00e7\u00f5es e valores socioculturais e pol\u00edticos. As interven\u00e7\u00f5es nas imagens reais, apropriadas da m\u00eddia, apagam suas identidades, como tamb\u00e9m acontece com nossas hist\u00f3rias e mem\u00f3ria. Despojos: \u201cManequins de D\u00fcsseldorf\u201d e \u201cCaixotes em tr\u00eas tempos\u201d. Os motivos ins\u00f3litos das fotografias, encontrados por acaso, vinculam a no\u00e7\u00e3o de despojamento com a alus\u00e3o ironica \u00e0 nossa cultura do consumo e da uniformiza\u00e7\u00e3o. (Des)constru\u00e7\u00f5es: \u201cFata Morgana\u201d, \u201cLetrados\u201d e \u201cCasasubu\u201d. Nas sequ\u00eancias fotogr\u00e1ficas, a primeira explora superposi\u00e7\u00f5es gradativas de suas partes e as outras documentam ins\u00f3litas fachadas frontais de edifica\u00e7\u00f5es, sendo que na \u00faltima as manipula\u00e7\u00f5es criam simulacros inexistentes na realidade. Retratos: \u201cMeus p\u00e9s\u201d, \u201cAuto-retrato\u201d, \u201cA filha de Godiva\u201d, \u201cC\u00e3o veneziano\u201d e \u201cRetrato\u201d. Para a constru\u00e7\u00e3o de figuras identit\u00e1rias, sejam estas as de um carro, uma pessoa ou um animal, a artista recorre a \u00f3pticas singulares. Arte sobre arte: \u201cAs you like\u201d, \u201cJogo de damas\u201d e \u201cZ\u00f3calo\u201d. As reflex\u00f5es acerca da arte, caracter\u00edsticas do seu trabalho, ironizam sobre a arbitrariedade dos crit\u00e9rios de valor na arte e questionam os esteticismos de certos tipos de pintura.<\/p>\n

Ao entender o ato fotogr\u00e1fico como processo e a fotografia como um campo de possibilidades e uma linguagem a transgredir, Vera Chaves Barcellos avan\u00e7ou no tempo e levou \u00e0 pr\u00e1tica as no\u00e7\u00f5es hoje t\u00e3o em voga de p\u00f3s-fotografia e meta-fotografia.<\/p>\n

De 16 de mar\u00e7o a 21 de maio.<\/h3>\n

\"avatar_renato_rosa\"<\/a><\/em><\/h5>\n
Coluna – Renato Rosa<\/b><\/a><\/em><\/h5>\n
\n
Renato Rosa, brasileiro, S\u00e3o Gabriel, RS, Brasil, 1946. Marchand, pesquisador, editor do jornal cultural O PARALELO do site www.bolsadearte.com\/oparalelo<\/a>, co-autor do \u201cDicion\u00e1rio de Artes Pl\u00e1sticas no Rio Grande do Sul\u201d, (2\u00aa edi\u00e7\u00e3o, 2000, esgotada) Editora da Universidade\/UFRGS.<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Fotografias, manipula\u00e7\u00f5es e apropria\u00e7\u00f5es O Centro Cultural Pa\u00e7o Imperial \u2013 RJ em parceria com a Funda\u00e7\u00e3o Vera Chaves Barcellos inaugura em 16 de mar\u00e7o, \u201cFotografias, manipula\u00e7\u00f5es e apropria\u00e7\u00f5es\u201d, exposi\u00e7\u00e3o individual […]<\/p>\n","protected":false},"author":34415,"featured_media":1441,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1440","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colunistas"],"yoast_head":"\nVERA CHAVES BARCELLOS NO PA\u00c7O IMPERIAL - Arte351 - Art Magazine Portugal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte351.pt\/art\/2017\/03\/09\/vera-chaves-barcellos-no-paco-imperial\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VERA CHAVES BARCELLOS NO PA\u00c7O IMPERIAL - 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