{"id":335,"date":"2016-03-24T18:14:20","date_gmt":"2016-03-24T18:14:20","guid":{"rendered":"http:\/\/arte351.pt\/art\/?p=335"},"modified":"2016-03-31T17:49:25","modified_gmt":"2016-03-31T17:49:25","slug":"na-silvia-cintra-box-4","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2016\/03\/24\/na-silvia-cintra-box-4\/","title":{"rendered":"Na Silvia Cintra + Box 4"},"content":{"rendered":"

\"a6af548b-b9d4-4234-959e-1f5ae5d0de79\"Para a exposi\u00e7\u00e3o \u201cForgotten Mantras\u201d, sua segunda individual na galeria Silvia Cintra + Box 4, G\u00e1vea, Rio de Janeiro, RJ, Ana Maria Tavares recorre a todas as express\u00f5es e termos que foram usados desde 1997, uma alus\u00e3o ao tempo que nos faz esquecer o passado, sendo preciso retornar aos\u00a0mantras\u00a0<\/em>para que eles permane\u00e7am em n\u00f3s.<\/p>\n

Ana Maria Tavares come\u00e7ou a inserir palavras em seu trabalho em 1997, mas foi com a s\u00e9rie “Cityscape”, feita especialmente para a Bienal 50 anos de S\u00e3o Paulo, em 2001, que os mantras ganharam for\u00e7a em sua obra. Na \u00e9poca, Ana usou 8 palavras e express\u00f5es impressas em placas de a\u00e7o inox polido que juntas formavam um imenso painel que refletia o Parque do Ibirapuera.<\/p>\n

Segundo a artista \u201cOs mantras s\u00e3o como s\u00ednteses da atualidade, funcionam como senhas para navegar no mundo contempor\u00e2neo\u201d e \u00e9 exatamente por essa raz\u00e3o que agora eles se tornaram ainda mais complexo, em v\u00e1rias l\u00ednguas, marcando a homogeneiza\u00e7\u00e3o e a repeti\u00e7\u00e3o de uma cultura para a outra, todas contaminadas pela c\u00f3pia.<\/p>\n

Al\u00e9m dos quatro trabalhos da s\u00e9rie \u201cForgotten Mantras\u201d faz parte ainda uma instala\u00e7\u00e3o com pequenos trabalhos que trazem mantras como desire, delight, stillnox, lexotan, sexo; que podem ser montados de diversas formas. Todas essas obras s\u00e3o feitas em a\u00e7o inox polido.<\/p>\n

Para quebrar a rigidez da malha quadriculada e da ret\u00edcula modernista presente nas obras em inox, Ana Maria Tavares incluiu na exposi\u00e7\u00e3o a obra \u201cDesire\u201d, que \u00e9 uma impress\u00e3o em papel com mantras sobrepostos em diversas dire\u00e7\u00f5es, numa alus\u00e3o ao caos.\u00a0<\/strong><\/p>\n

Em novembro de 2016 Ana Maria Tavares inaugura uma grande exposi\u00e7\u00e3o retrospectiva na Pinacoteca do Estado de S\u00e3o Paulo.
\n<\/strong><\/p>\n

Sobre a artista<\/p>\n

Ana Maria Tavares, nasceu em Belo Horizonte, em 1958. Reside em S\u00e3o Paulo, SP.\u00a0em S\u00e3o Paulo. Estudou na FAAP, fez mestrado em escultura na School of the Art Institute of Chicago e curso de Desenvolvimento de Projeto no Oxbow Art Center (Michigan, EUA). Defendeu tese de doutorado em 2000 na Escola de Comunica\u00e7\u00f5es e Artes.\u00a0Sua primeira exposi\u00e7\u00e3o individual foi na Pinacoteca do Estado em 1982. Participou\u00a0 da Bienal de S\u00e3o Paulo em 1983, 1987, 1991 e da edi\u00e7\u00e3o especial de 1994, Bienal Brasil S\u00e9culo XX. Entre as mostras coletivas no exterior destacam-se: \u201cModernit\u00e9\u201d no Museu de Arte Moderna de Paris em 1987, e \u201cUltramodern\u201d no National Museum for Women in the Arts, Washington, EUA, em 1993.\u00a0 Entre 2002 e 2003, foi bolsista da John Simon Guggenheim Foundation, em Nova Iorque.\u00a0 Em 2006, realiza a instala\u00e7\u00e3o “Enigmas de uma Noite” com Midnight Daydreams, no Instituto Tomie Othake, e na Bienal de Cingapura. Dentre as v\u00e1rias exposi\u00e7\u00f5es individuais dos \u00faltimos anos, merecem destaque – \u201cAna Maria Tavares: Desviating Utopias\u201d, no Centro de Artes Visuais de Nashville, Estado Unidos em 2013; \u201cAtl\u00e2ntica Moderna: Puros e Negros\u201d no Museu do Vale, Vila Velha em 2014; e \u201cC\u00e1rceres duas vozes: Piranesi e Ana Maria Tavares\u201d, no Museu Lasar Segall, S\u00e3o Paulo em 2015.<\/p>\n

De 29 de mar\u00e7o a 30 de abril.<\/p>\n

\"\"
Silvia Cintra + Box 4<\/figcaption><\/figure>\n

 <\/p>\n

\"\"
Silvia Cintra + Box 4<\/figcaption><\/figure>\n

 <\/p>\n

\"avatar_renato_rosa\"Coluna –\u00a0Renato Rosa<\/b><\/a><\/em><\/h5>\n
\n
Renato Rosa, brasileiro, S\u00e3o Gabriel, RS, Brasil, 1946. Marchand, pesquisador, editor do jornal cultural O PARALELO do site\u00a0www.bolsadearte.com\/oparalelo<\/a>, co-autor do \u201cDicion\u00e1rio de Artes Pl\u00e1sticas no Rio Grande do Sul\u201d, (2\u00aa edi\u00e7\u00e3o, 2000, esgotada) Editora da Universidade\/UFRGS.<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Para a exposi\u00e7\u00e3o \u201cForgotten Mantras\u201d, sua segunda individual na galeria Silvia Cintra + Box 4, G\u00e1vea, Rio de Janeiro, RJ, Ana Maria Tavares recorre a todas as express\u00f5es e termos […]<\/p>\n","protected":false},"author":34415,"featured_media":336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7,8],"tags":[],"class_list":["post-335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colunistas","category-colunistas-2"],"yoast_head":"\nNa Silvia Cintra + Box 4 - Arte351 - Art Magazine Portugal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte351.pt\/art\/2016\/03\/24\/na-silvia-cintra-box-4\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Na Silvia Cintra + Box 4 - 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