{"id":6371,"date":"2022-01-30T14:19:50","date_gmt":"2022-01-30T14:19:50","guid":{"rendered":"https:\/\/arte351.pt\/art\/?p=6371"},"modified":"2022-01-30T14:19:50","modified_gmt":"2022-01-30T14:19:50","slug":"500-anos-das-cortes-de-jupiter-de-gil-vicente-e-celebrado-com-peca","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2022\/01\/30\/500-anos-das-cortes-de-jupiter-de-gil-vicente-e-celebrado-com-peca\/","title":{"rendered":"500 anos das Cortes de J\u00fapiter, de Gil Vicente, \u00e9 celebrado com pe\u00e7a"},"content":{"rendered":"

Nos dias 5 e 6 de fevereiro, pelas 19h, o Pequeno Audit\u00f3rio do Centro Cultural de Bel\u00e9m<\/a> recebe espect\u00e1culo a\u00a0prop\u00f3sito dos 500 anos das Cortes de J\u00fapiter<\/em>, desafiado ao encenador Ricardo Neves-Neves, que teve de adaptar esta tragicom\u00e9dia de Gil Vicente.<\/p>\n

Para esta reconstru\u00e7\u00e3o, foi buscado ao mundo do\u00a0jazz<\/em>\u00a0o compositor e pianista Filipe Raposo, que ter\u00e1 como miss\u00e3o dar uma estrutura de \u00f3pera \u00e0 pe\u00e7a e \u00e0 m\u00fasica de Gil Vicente. Com a participa\u00e7\u00e3o do\u00a0ensemble<\/em>\u00a0La Nave Va e dire\u00e7\u00e3o musical de Ant\u00f3nio Carrilho. Participa ainda o Alma Ensemble, com coordena\u00e7\u00e3o vocal de Filipa Palhares.<\/p>\n

Esta \u00e9 a primeira obra a sair do Laborat\u00f3rio de \u00d3pera Portuguesa, criado pelo CCB em parceria com o CESEM e a APARM.<\/p>\n

\n

Laborat\u00f3rio de \u00d3pera Portuguesa<\/u><\/strong><\/p>\n

A cria\u00e7\u00e3o de um laborat\u00f3rio de \u00f3pera portuguesa especialmente vocacionado para\u00a0<\/span>a\u00a0<\/span>recupera\u00e7\u00e3o de obras escritas por compositores portugueses ou residentes em Portugal \u00e9 um sonho antigo que come\u00e7a agora a ganhar contornos\u00a0<\/span>concretos.<\/p>\n

Efetivamente, h\u00e1 muito que sent\u00edamos a necessidade da cria\u00e7\u00e3o de uma estrutura\u00a0<\/span>que\u00a0<\/span>potencializasse a apresenta\u00e7\u00e3o obras oriundas da produ\u00e7\u00e3o dram\u00e1tica que\u00a0<\/span>tantos\u00a0<\/span>investigadores t\u00eam retirado, ao longo dos anos, das profundezas dos in\u00fameros\u00a0<\/span>arquivos e\u00a0<\/span>bibliotecas nacionais e estrangeiras, com o objetivo m\u00e1ximo de aproximar o\u00a0<\/span>grande\u00a0<\/span>p\u00fablico da produ\u00e7\u00e3o dram\u00e1tica musical que encheu os pal\u00e1cios, casas senhoriais e teatros do nosso pa\u00eds ao longo dos\u00a0<\/span>s\u00e9culos.<\/p>\n

Para al\u00e9m de um trabalho de recupera\u00e7\u00e3o historicamente informada, o Laborat\u00f3rio\u00a0<\/span>de\u00a0<\/span>\u00d3pera Portuguesa prossegue um outro e incontorn\u00e1vel objetivo: considerando que\u00a0<\/span>o\u00a0<\/span>g\u00e9nero oper\u00e1tico n\u00e3o \u00e9 apenas um g\u00e9nero musical, mas, acima de tudo, um\u00a0<\/span>g\u00e9nero\u00a0<\/span>teatral, pretendemos assumir a estrutura como um f\u00f3rum de desenvolvimento de\u00a0<\/span>um\u00a0<\/span>trabalho profundo, no \u00e2mbito do qual as exig\u00eancias t\u00e9cnicas vocais de cada obra n\u00e3o se sobreponham \u00e0 dramaticidade do discurso global, permitindo \u00e0s novas gera\u00e7\u00f5es de cantores desenvolver aptid\u00f5es dram\u00e1ticas ainda hoje relativamente\u00a0<\/span>subdesenvolvidas.<\/p>\n

\u00a0<\/strong><\/p>\n

Cortes de J\u00fapiter<\/em><\/u><\/strong><\/p>\n

Garcia de Resende, testemunha presencial da representa\u00e7\u00e3o das Cortes de J\u00fapiter, avan\u00e7a com o dia 4 de agosto de 1521, domingo, como a data de apresenta\u00e7\u00e3o da obra na corte de D. Manuel I.<\/p>\n

Trata-se de uma tragicom\u00e9dia idealizada para o casamento e partida da Infanta D. Beatriz para Sab\u00f3ia, \u00e0 raz\u00e3o do seu casamento com o duque daquela cidade.<\/p>\n

Nesta obra vicentina, a \u00faltima a ser apresentada ainda em vida de \u00abo venturoso\u00bb, que faleceria no mesmo ano, a Provid\u00eancia, incumbida por Deus, ordena a J\u00fapiter, rei dos elementos, que fa\u00e7a concertar bons planetas e signos para a viagem ao longo do Atl\u00e2ntico, pelo estreito de Gibraltar e Mediterr\u00e2neo, at\u00e9 Sab\u00f3ia.<\/p>\n

O mar, os ventos, o Sol (Febo) e a Lua (Diana) s\u00e3o informados da empreitada.<\/p>\n

Os diferentes elementos da Corte, que partiram num pomposo cortejo encabe\u00e7ado pelo pr\u00f3prio Rei, seguido pela Rainha, o Pr\u00edncipe e os Infantes, em dire\u00e7\u00e3o \u00e0 S\u00e9 e, de l\u00e1, para a casa da Rainha vi\u00fava, D.\u00a0<\/span>Leonor,\u00a0<\/span>para dela se despedirem, acompanham a frota de D. Beatriz at\u00e9 \u00e0 foz do\u00a0<\/span>Tejo,\u00a0<\/span>nadando, metamorfoseados em peixes, umas vinte l\u00e9guas,\u00a0<\/span>at\u00e9\u00a0<\/span>ouvirem do mar alto o canto amea\u00e7ador de trinta mil\u00a0<\/span>sereias.<\/p>\n

Perante a amea\u00e7a, Marte \u00e9 chamado e recebe a ordem de proteger a esplendorosa armada de dezoito naus.<\/p>\n

Como amigo e admirador dos feitos portugueses, Marte recita louvores entusiastas\u00a0<\/span>a\u00a0<\/span>Portugal. No fim, uma Moura encantada, evocada aos sons de um romance, traz e entrega \u00e0 Duquesa de Sab\u00f3ia prendas de cond\u00e3o: um anel, um dedal e um\u00a0<\/span>ter\u00e7ado.<\/p>\n

 <\/p>\n

Cortes de J\u00fapiter, de Gil Vicente<\/h3>\n

De 5 a 6 de fevereiro de 2022, \u00e0s 19h<\/p>\n

Pequeno Audit\u00f3rio CCB<\/p>\n

.<\/p>\n

Coordena\u00e7\u00e3o art\u00edstica e musicol\u00f3gica do Laborat\u00f3rio de \u00d3pera Portuguesa\u00a0<\/span>Jenny Silvestre<\/strong><\/p>\n

Coordena\u00e7\u00e3o cient\u00edfica do Laborat\u00f3rio de \u00d3pera Portuguesa\u00a0<\/span>Lu\u00edsa Cymbron<\/strong><\/p>\n

Encena\u00e7\u00e3o e adapta\u00e7\u00e3o dramat\u00fargica\u00a0<\/span>Ricardo Neves-Neves<\/strong><\/p>\n

Composi\u00e7\u00e3o de m\u00fasica nova\u00a0<\/span>Filipe Raposo<\/strong><\/p>\n

Ensemble La Nave Va<\/strong><\/p>\n

Dire\u00e7\u00e3o Musical\u00a0<\/span>Ant\u00f3nio Carrilho<\/strong><\/p>\n

Solistas\u00a0Alma Ensemble<\/strong><\/span><\/p>\n

Coordena\u00e7\u00e3o vocal:\u00a0Filipa Palhares<\/strong><\/span><\/p>\n

Coprodu\u00e7\u00e3o\u00a0<\/span>Centro Cultural de Bel\u00e9m, Cineteatro Louletano, Academia Portuguesa de Artes Musicais,<\/strong><\/p>\n

Teatro do El\u00e9ctrico e Culturproject<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Nos dias 5 e 6 de fevereiro, pelas 19h, o Pequeno Audit\u00f3rio do Centro Cultural de Bel\u00e9m recebe espect\u00e1culo a\u00a0prop\u00f3sito dos 500 anos das Cortes de J\u00fapiter, desafiado ao encenador […]<\/p>\n","protected":false},"author":3,"featured_media":6372,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[973,1709],"class_list":["post-6371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sem-categoria","tag-centro-cultural-de-belem","tag-gil-vicente"],"yoast_head":"\n500 anos das Cortes de J\u00fapiter, de Gil Vicente, \u00e9 celebrado com pe\u00e7a<\/title>\n<meta name=\"description\" content=\"Garcia de Resende, testemunha presencial da representa\u00e7\u00e3o das Cortes de J\u00fapiter, avan\u00e7a com o dia 4 de agosto de 1521, domingo..\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte351.pt\/art\/2022\/01\/30\/500-anos-das-cortes-de-jupiter-de-gil-vicente-e-celebrado-com-peca\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"500 anos das Cortes de J\u00fapiter, de Gil Vicente, \u00e9 celebrado com pe\u00e7a\" \/>\n<meta property=\"og:description\" content=\"Garcia de Resende, testemunha presencial da representa\u00e7\u00e3o das Cortes de J\u00fapiter, avan\u00e7a com o dia 4 de agosto de 1521, domingo..\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arte351.pt\/art\/2022\/01\/30\/500-anos-das-cortes-de-jupiter-de-gil-vicente-e-celebrado-com-peca\/\" \/>\n<meta property=\"og:site_name\" content=\"Arte351 - 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