{"id":6378,"date":"2022-02-02T13:56:39","date_gmt":"2022-02-02T13:56:39","guid":{"rendered":"https:\/\/arte351.pt\/art\/?p=6378"},"modified":"2022-02-02T13:56:39","modified_gmt":"2022-02-02T13:56:39","slug":"coloquio-internacional-abre-celebracao-dos-500-anos-de-gil-vicente","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2022\/02\/02\/coloquio-internacional-abre-celebracao-dos-500-anos-de-gil-vicente\/","title":{"rendered":"Col\u00f3quio Internacional abre celebra\u00e7\u00e3o dos 500 anos de Gil Vicente"},"content":{"rendered":"

Com Dire\u00e7\u00e3o Cient\u00edfica de Manuel Pedro Ferreira (CESEM\/FCSH) e de Lu\u00edsa Cymbron (CESEM\/FCSH), o Centro de Congressos e Reuni\u00f5es, do Centro Cultural de Bel\u00e9m<\/a>, recebe nesta sexta (4), das 10h \u00e0s 17h, o Col\u00f3quio Internacional | Gil Vicente: 500 anos.<\/p>\n

O Col\u00f3quio antecede o espect\u00e1culo a prop\u00f3sito dos 500 anos das Cortes de J\u00fapiter<\/a>, desafiado ao encenador Ricardo Neves-Neves, que teve de adaptar esta tragicom\u00e9dia de Gil Vicente.<\/p>\n

S\u00e3o oradores nesse Col\u00f3quio: Lu\u00edsa Cymbron<\/strong>\u00a0<\/span>(CESEM\/FCSH), Maricarmen Gomez<\/strong>\u00a0<\/span>(Universidade de Aut\u00f3noma de Barcelona),\u00a0 Jos\u00e9 Cam\u00f5es<\/strong>\u00a0<\/span>(Faculdade de Letras da Universidade de Lisboa), Esperan\u00e7a Cardeira<\/strong>\u00a0<\/span>(Faculdade de Letras de Universidade de Lisboa), Nuno Raimundo<\/strong>\u00a0<\/span>(CESEM\/FCSH), Edward Abreu<\/strong>\u00a0<\/span>(CESEM\/FCSH), Lu\u00edsa Gomes<\/strong>\u00a0<\/span>(CESEM\/FCSH), Manuel Morais<\/strong>\u00a0<\/span>(Escola de M\u00fasica no Conservat\u00f3rio Nacional\/Universidade de \u00c9vora) e Jenny Silvestre<\/strong>\u00a0<\/span>(Academia Portuguesa de Artes Musicais\/Laborat\u00f3rio de \u00d3pera Portuguesa do CCB).<\/p>\n

\n

Programa Col\u00f3quio Internacional | Gil Vicente: 500 anos.<\/h3>\n

9h30 – Rece\u00e7\u00e3o dos oradores e p\u00fablico assistente<\/p>\n

10h – In\u00edcio dos trabalhos<\/p>\n

Moderadora\u00a0<\/span>Lu\u00edsa Cymbron<\/strong><\/p>\n

Oradores<\/strong><\/p>\n

Edward Ayres de Abreu<\/strong>\u00a0<\/span>(CESEM\/FCSH)<\/p>\n

Nuno Raimundo<\/strong>\u00a0<\/span>(CESEM\/FCSH)<\/p>\n

Manuel Morais<\/strong>\u00a0<\/span>(Escola de M\u00fasica do Conservat\u00f3rio Nacional\/Universidade de \u00c9vora)<\/p>\n

\n

11h15 – Pausa<\/p>\n

\n

11h30 – Recome\u00e7o dos trabalhos<\/p>\n

Moderador\u00a0<\/span>Manuel Pedro Ferreira<\/strong><\/p>\n

Oradores<\/strong><\/p>\n

Jos\u00e9 Cam\u00f5es<\/strong>\u00a0<\/span>(Faculdade de Letras da Universidade de Lisboa)<\/p>\n

Esperan\u00e7a Cardeira<\/strong>\u00a0<\/span>(Faculdade de Letras da Universidade de Lisboa)<\/p>\n

Maricarmen G\u00f3mez<\/strong>\u00a0<\/span>(Universidade de Aut\u00f3noma de Barcelona)<\/p>\n

\n

13h – Pausa<\/p>\n

\n

14h30 – Recome\u00e7o dos trabalhos<\/p>\n

Moderador\u00a0<\/span>Jos\u00e9 Cam\u00f5es<\/strong><\/p>\n

Oradores<\/strong><\/p>\n

Lu\u00edsa Cymbron (CESEM\/FCSH)<\/p>\n

Lu\u00edsa Gomes (CESEM\/FCSH)<\/p>\n

Jenny Silvestre (Academia Portuguesa de Artes Musicais\/ Laborat\u00f3rio de \u00d3pera<\/p>\n

Portuguesa do CCB)<\/p>\n

\n

16h – Mesa redonda e conclus\u00f5es<\/p>\n

\n

Tendo nascido o Laborat\u00f3rio de \u00d3pera Portuguesa da necessidade sentida de aproximar o grande p\u00fablico de uma parte importante da sua heran\u00e7a hist\u00f3rica comum, neste caso, a produ\u00e7\u00e3o dram\u00e1tica musical feita em Portugal no decurso do tempo, considerou-se, desde o primeiro momento, essencial a cria\u00e7\u00e3o simult\u00e2nea de um f\u00f3rum de discuss\u00e3o e apresenta\u00e7\u00e3o de novos estudos relacionados e complementares a cada t\u00edtulo trabalhado.<\/p>\n

\n

Laborat\u00f3rio de \u00d3pera Portuguesa<\/p>\n

A cria\u00e7\u00e3o de um laborat\u00f3rio de \u00f3pera portuguesa especialmente vocacionado para a recupera\u00e7\u00e3o de obras escritas por compositores portugueses ou residentes em Portugal \u00e9 um sonho antigo que come\u00e7a agora a ganhar contornos concretos.<\/p>\n

Efetivamente, h\u00e1 muito que sent\u00edamos a necessidade da cria\u00e7\u00e3o de uma estrutura que potencializasse a apresenta\u00e7\u00e3o de obras oriundas da produ\u00e7\u00e3o dram\u00e1tica que tantos investigadores t\u00eam retirado, ao longo dos anos, das profundezas dos in\u00fameros arquivos e bibliotecas nacionais e estrangeiras, com o objetivo m\u00e1ximo de aproximar o grande p\u00fablico da produ\u00e7\u00e3o dram\u00e1tica musical que encheu os pal\u00e1cios, casas senhoriais e teatros do nosso pa\u00eds ao longo dos s\u00e9culos.<\/p>\n

Para al\u00e9m de um trabalho de recupera\u00e7\u00e3o historicamente informada, o Laborat\u00f3rio de \u00d3pera Portuguesa prossegue um outro e incontorn\u00e1vel objetivo: considerando que o g\u00e9nero oper\u00e1tico n\u00e3o \u00e9 apenas um g\u00e9nero musical, mas, acima de tudo, um g\u00e9nero teatral, pretendemos assumir a estrutura como um f\u00f3rum de desenvolvimento de um trabalho profundo, no \u00e2mbito do qual as exig\u00eancias t\u00e9cnicas vocais de cada obra n\u00e3o se sobreponham \u00e0 dramaticidade do discurso global, permitindo \u00e0s novas gera\u00e7\u00f5es de cantores desenvolver aptid\u00f5es dram\u00e1ticas ainda hoje relativamente subdesenvolvidas.<\/p>\n

\n

A primeira obra que sair\u00e1 deste esfor\u00e7o conjunto de recupera\u00e7\u00e3o do patrim\u00f3nio musical portugu\u00eas ser\u00e1 a tragicom\u00e9dia\u00a0Cortes de J\u00fapiter<\/a>\u00a0de Gil Vicente, revelando facetas menos conhecidas de Gil Vicente como a sua rela\u00e7\u00e3o com a m\u00fasica e a forma como dava indica\u00e7\u00f5es precisas sobre a utiliza\u00e7\u00e3o da m\u00fasica nas suas pe\u00e7as. Gil Vicente \u00e9 tamb\u00e9m o mote para explorarmos todo um outro mundo de apropria\u00e7\u00f5es musicais, a come\u00e7ar pela pr\u00f3pria Folia, mencionada, pela primeira vez, no\u00a0Auto da Sibila Cassandra\u00a0(1513) e posta em m\u00fasica por mais de 150 compositores desde ent\u00e3o.<\/p>\n","protected":false},"excerpt":{"rendered":"

Com Dire\u00e7\u00e3o Cient\u00edfica de Manuel Pedro Ferreira (CESEM\/FCSH) e de Lu\u00edsa Cymbron (CESEM\/FCSH), o Centro de Congressos e Reuni\u00f5es, do Centro Cultural de Bel\u00e9m, recebe nesta sexta (4), das 10h […]<\/p>\n","protected":false},"author":3,"featured_media":6372,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[973],"class_list":["post-6378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sem-categoria","tag-centro-cultural-de-belem"],"yoast_head":"\nCol\u00f3quio Internacional abre celebra\u00e7\u00e3o dos 500 anos de Gil Vicente<\/title>\n<meta name=\"description\" content=\"O Centro Cultural de Bel\u00e9m recebe nesta sexta (4), das 10h \u00e0s 17h, o Col\u00f3quio Internacional | Gil Vicente: 500 anos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte351.pt\/art\/2022\/02\/02\/coloquio-internacional-abre-celebracao-dos-500-anos-de-gil-vicente\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Col\u00f3quio Internacional abre celebra\u00e7\u00e3o dos 500 anos de Gil Vicente\" \/>\n<meta property=\"og:description\" content=\"O Centro Cultural de Bel\u00e9m recebe nesta sexta (4), das 10h \u00e0s 17h, o Col\u00f3quio Internacional | Gil Vicente: 500 anos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arte351.pt\/art\/2022\/02\/02\/coloquio-internacional-abre-celebracao-dos-500-anos-de-gil-vicente\/\" \/>\n<meta property=\"og:site_name\" content=\"Arte351 - 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