{"id":695,"date":"2016-06-09T09:00:10","date_gmt":"2016-06-09T09:00:10","guid":{"rendered":"http:\/\/arte351.pt\/art\/?p=695"},"modified":"2016-06-11T11:06:35","modified_gmt":"2016-06-11T11:06:35","slug":"linguagens-do-corpo-carioca","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2016\/06\/09\/linguagens-do-corpo-carioca\/","title":{"rendered":"LINGUAGENS DO CORPO CARIOCA"},"content":{"rendered":"<figure id=\"attachment_697\" class=\"thumbnail wp-caption alignleft\" style=\"width: 210px\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-697 size-medium\" src=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Ricardo-Chaves-Juruna-200x300.jpg\" width=\"200\" height=\"300\" srcset=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Ricardo-Chaves-Juruna-200x300.jpg 200w, https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Ricardo-Chaves-Juruna.jpg 399w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><figcaption class=\"caption wp-caption-text\">Ricardo Chaves &#8211; Juruna<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">O Museu de Arte do Rio inaugura \u201cLinguagens do corpo carioca (a vertigem do Rio)\u201d. Resultado de uma vasta pesquisa realizada sob a curadoria de Paulo Herkenhoff e cocuradoria de Milton Guran. A exposi\u00e7\u00e3o re\u00fane 800 obras de artistas consagrados &#8211; como Evandro Teixeira, Pierre Verger, Mario Testino, Bruno Veiga, Ana Stewart, Ricardo Chaves, Ricardo Beliel, Ana Kahn, Benoit Fournier, Marcia Zoet, Marcelo Correa, Daniel Martins, Alexandre Mazza, Gustavo Malheiros, &#8211; e nomes menos conhecidos, mas que igualmente captaram a ess\u00eancia da alma carioca por meio de seus trabalhos. A mostra integra a programa\u00e7\u00e3o do \u201cFotoRio 2016\u201d e tem o apoio do banco J.P. Morgan.<\/p>\n<p style=\"text-align: justify;\">\u201cLinguagens do corpo carioca (a vertigem do Rio)\u201d ser\u00e1 inaugurada em 07 de junho, ocupando a galeria A do Pavilh\u00e3o de Exposi\u00e7\u00f5es. Para marcar a ocasi\u00e3o, \u00e0s 11h, acontece uma Conversa de Galeria aberta ao p\u00fablico e com entrada gratuita. Participam do bate-papo os curadores e alguns dos artistas cujas obras integram a mostra.<\/p>\n<figure id=\"attachment_698\" class=\"thumbnail wp-caption alignright\" style=\"width: 225px\"><img decoding=\"async\" class=\"wp-image-698 size-medium\" src=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Gustavo-Malheiros-215x300.jpg\" width=\"215\" height=\"300\" srcset=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Gustavo-Malheiros-215x300.jpg 215w, https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Gustavo-Malheiros.jpg 429w\" sizes=\"(max-width: 215px) 100vw, 215px\" \/><figcaption class=\"caption wp-caption-text\">Gustavo Malheiros<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Em cartaz durante os Jogos Ol\u00edmpicos, a exposi\u00e7\u00e3o toma como ponto de partida o corpo de quem vive na cidade para p\u00f4r em discuss\u00e3o a identidade social como uma esp\u00e9cie de g\u00edria gestual. A abordagem transversal, caracter\u00edstica comum \u00e0s mais diversas mostras do MAR, se repete em \u201cLinguagens do corpo carioca\u201d, que \u00e9 dividida em n\u00facleos e traz \u00e0 tona as mais diversas faces da vida na cidade.<\/p>\n<p style=\"text-align: justify;\">Entre as tend\u00eancias lan\u00e7adas por aqui est\u00e3o o highline (exerc\u00edcio de equil\u00edbrio sobre uma fita el\u00e1stica esticada entre dois pontos fixo no alto) e o surfe no trem. A camaradagem e a aproxima\u00e7\u00e3o entre as classes, poss\u00edvel devido \u00e0 segrega\u00e7\u00e3o social marcante, estar\u00e3o presentes em imagens do antigo P\u00eder de Ipanema e dos cotidianos do samba e das comunidades. Tamb\u00e9m ser\u00e3o representadas as multid\u00f5es nos jogos no Maracan\u00e3, manifesta\u00e7\u00f5es pol\u00edticas e at\u00e9 as filas do INSS. A famosa ginga das capas de discos da bossa nova, a cultura afro, a rela\u00e7\u00e3o com o mar e personagens do imagin\u00e1rio do Rio tamb\u00e9m integram a mostra.<\/p>\n<figure id=\"attachment_699\" class=\"thumbnail wp-caption alignleft\" style=\"width: 310px\"><img decoding=\"async\" class=\"wp-image-699 size-medium\" src=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Alexandre-Mazza-300x174.jpg\" alt=\"Alexandre - Mazza\" width=\"300\" height=\"174\" srcset=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Alexandre-Mazza-300x174.jpg 300w, https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Alexandre-Mazza-768x444.jpg 768w, https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Alexandre-Mazza-1024x592.jpg 1024w, https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/Alexandre-Mazza.jpg 1037w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption class=\"caption wp-caption-text\">Alexandre Mazza<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Na contram\u00e3o das belezas de ser carioca, o visitante \u00e9 confrontado com um Rio melanc\u00f3lico e marcado pela viol\u00eancia, por uma oposi\u00e7\u00e3o ao prazer. Nesse contexto, tr\u00eas s\u00e9ries merecem destaque: a primeira, da artista Ana Khan, mostra o vazio deixado no exato local onde pessoas foram v\u00edtimas de balas perdidas; seguindo a mesma po\u00e9tica, fotos do coletivo M\u00e3o na Lata, feitas com uma c\u00e2mera pinhole &#8211; que por ter uma fixa\u00e7\u00e3o lenta da imagem n\u00e3o capta movimentos- mostram locais onde h\u00e1 somente constru\u00e7\u00f5es, sem qualquer tipo de vida; fechando o n\u00facleo, a s\u00e9rie \u201cUniversidade Federal\u201d, de Walter Carvalho, reflete sobre os lugares do crime na cidade.<\/p>\n<h5 style=\"text-align: justify;\"><em><a href=\"https:\/\/arte351.pt\/art\/category\/colunistas-2\/colunistas\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-398\" src=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/03\/avatar_renato_rosa-300x300.jpg\" alt=\"avatar_renato_rosa\" width=\"80\" height=\"80\" srcset=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/03\/avatar_renato_rosa-300x300.jpg 300w, https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/03\/avatar_renato_rosa-150x150.jpg 150w, https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/03\/avatar_renato_rosa.jpg 600w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/><\/a><\/em><\/h5>\n<h5 style=\"text-align: justify;\"><em><a href=\"https:\/\/arte351.pt\/art\/category\/colunistas-2\/colunistas\/\">Coluna &#8211; <b class=\"gmail_sendername\">Renato Rosa<\/b><\/a><\/em><\/h5>\n<div>\n<h5 style=\"text-align: justify;\">Renato Rosa, brasileiro, S\u00e3o Gabriel, RS, Brasil, 1946. Marchand, pesquisador, editor do jornal cultural O PARALELO do site <a href=\"http:\/\/www.bolsadearte.com\/oparalelo\" target=\"_blank\">www.bolsadearte.com\/<wbr \/>oparalelo<\/a>, co-autor do \u201cDicion\u00e1rio de Artes Pl\u00e1sticas no Rio Grande do Sul\u201d, (2\u00aa edi\u00e7\u00e3o, 2000, esgotada) Editora da Universidade\/UFRGS.<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>O Museu de Arte do Rio inaugura \u201cLinguagens do corpo carioca (a vertigem do Rio)\u201d. Resultado de uma vasta pesquisa realizada sob a curadoria de Paulo Herkenhoff e cocuradoria de [&hellip;]<\/p>\n","protected":false},"author":34415,"featured_media":696,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-695","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colunistas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LINGUAGENS DO CORPO CARIOCA - Arte351 - Art Magazine Portugal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte351.pt\/art\/2016\/06\/09\/linguagens-do-corpo-carioca\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LINGUAGENS DO CORPO CARIOCA - Arte351 - Art Magazine Portugal\" \/>\n<meta property=\"og:description\" content=\"O Museu de Arte do Rio inaugura \u201cLinguagens do corpo carioca (a vertigem do Rio)\u201d. Resultado de uma vasta pesquisa realizada sob a curadoria de Paulo Herkenhoff e cocuradoria de [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arte351.pt\/art\/2016\/06\/09\/linguagens-do-corpo-carioca\/\" \/>\n<meta property=\"og:site_name\" content=\"Arte351 - Art Magazine Portugal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/arte351magazine\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-06-09T09:00:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-06-11T11:06:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/arte351.pt\/art\/wp-content\/uploads\/2016\/06\/banner_bOX_001.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"550\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Equipa Arte 351\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Equipa Arte 351\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/06\\\/09\\\/linguagens-do-corpo-carioca\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/06\\\/09\\\/linguagens-do-corpo-carioca\\\/\"},\"author\":{\"name\":\"Equipa Arte 351\",\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/#\\\/schema\\\/person\\\/1d081d5dbc7c2a3f2317da95c823a5bd\"},\"headline\":\"LINGUAGENS DO CORPO CARIOCA\",\"datePublished\":\"2016-06-09T09:00:10+00:00\",\"dateModified\":\"2016-06-11T11:06:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/06\\\/09\\\/linguagens-do-corpo-carioca\\\/\"},\"wordCount\":560,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/arte351.pt\\\/art\\\/2016\\\/06\\\/09\\\/linguagens-do-corpo-carioca\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/arte351.pt\\\/art\\\/wp-content\\\/uploads\\\/2016\\\/06\\\/banner_bOX_001.jpg\",\"articleSection\":[\"Coluna - 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