{"id":828,"date":"2016-07-28T11:11:05","date_gmt":"2016-07-28T11:11:05","guid":{"rendered":"http:\/\/arte351.pt\/art\/?p=828"},"modified":"2016-08-14T11:32:38","modified_gmt":"2016-08-14T11:32:38","slug":"colecoes-do-mam-rio","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2016\/07\/28\/colecoes-do-mam-rio\/","title":{"rendered":"Cole\u00e7\u00f5es do MAM RIO"},"content":{"rendered":"
Cildo Meireles<\/figcaption><\/figure>\n

Neste s\u00e1bado, dia 30 de julho, o MAM Rio, Parque do Flamengo, Rio de Janeiro, RJ, inaugura a grande exposi\u00e7\u00e3o \u201cEm polvorosa – Um panorama das cole\u00e7\u00f5es do MAM Rio\u201d, com destaques de seu acervo, com obras de mais de 100 artistas, brasileiros e estrangeiros, selecionadas pelos curadores Fernando Cocchiarale e Fernanda Lopes. A mostra vai ocupar todo o segundo andar do Museu, incluindo o Sal\u00e3o Monumental, em uma \u00e1rea de quase 2.500 metros quadrados O curador quis mostrar para o p\u00fablico a joia arquitet\u00f4nica que \u00e9 o pr\u00e9dio do MAM, projetado em 1958 por Affonso Reidy, e retirou divis\u00f3rias, permitindo ao p\u00fablico uma rara perspectiva do amplo espa\u00e7o do segundo andar. De um extremo a outro do espa\u00e7o, h\u00e1 123 metros de extens\u00e3o.<\/p>\n

A primeira preocupa\u00e7\u00e3o do curador foi a de escolher obras de qualidade ineg\u00e1vel, as quais chama de highlights, como as de Pollock, Keith Hering, Brancusi, Giacometti, Lucio Fontana, Henri Moore, Rodin, Calder, Joseph Albers, Barry Flanagan, Vitto Acconti, Antonio Dias, Cildo Meireles, Nelson Leirner, Ivens Machado, Waltercio Caldas, Antonio Manuel, Jos\u00e9 Damasceno, Artur Barrio, Regina Silveira, Willys de Castro, H\u00e9rcules Barsotti, Lygia Clark e H\u00e9lio Oiticica.<\/p>\n

E, tamb\u00e9m, privilegiar artistas \u201cmuito conhecidos, mas pouco mostrados\u201d, como Anita Malfatti, que \u201ctem desenhos a carv\u00e3o lindos, pouco vistos\u201d. As obras ser\u00e3o articuladas por aproxima\u00e7\u00f5es est\u00e9ticas e por \u00e9pocas, com alas dedicadas aos anos 1920, com o modernismo, aos anos 1950\/60, com o abstracionismo, o concretismo, o neoconcretismo, a nova figura\u00e7\u00e3o, e \u00e0 arte contempor\u00e2nea.<\/p>\n

Constantin Brancusi<\/figcaption><\/figure>\n

Na entrada do segundo andar do museu, estar\u00e1 um texto sobre a mostra e uma homenagem ao artista Tunga, falecido recentemente, junto ao trabalho que d\u00e1 t\u00edtulo \u00e0 exposi\u00e7\u00e3o, da s\u00e9rie \u201cDesenhos em polvorosa\u201d, de 1996, em pastel seco sobre papel, pertencente \u00e0 Cole\u00e7\u00e3o Gilberto Chateaubriand\/MAM Rio. Um dos destaques da exposi\u00e7\u00e3o \u00e9 o conjunto reunido pela primeira vez de importantes instala\u00e7\u00f5es de artistas brasileiros: \u201cPoeta\/Porn\u00f3grafo\u201d, de 1973, de Antonio Dias; \u201cAlegria\u201d, de 1999, de Adriana Varej\u00e3o, \u201cCerim\u00f4nia em tr\u00eas tempos\u201d, de 1973, de Ivens Machado; \u201cPing-ping, a constru\u00e7\u00e3o do abismo no piscar dos cegos\u201d, de 1980, de Waltercio Caldas; \u201cFantasma\u201d, de 1994, de Antonio Manuel (em sua vers\u00e3o original, montada em 2001; \u201cMotim II\u201d, de 1998, de Jos\u00e9 Damasceno; \u201cMarulho\u201d, de 1991, de Cildo Meireles, n\u00e3o vista no Rio de Janeiro desde sua primeira apresenta\u00e7\u00e3o, no MAM, em 2002 e \u201cGraphos 2\u201d de 1996, de Regina Silveira. Ser\u00e3o apresentados, ainda; \u201cDe dentro para fora\u201d, de 1970, de Artur Barrio; \u201cLute\u201d, de 1967, de Rubens Gerchman.<\/p>\n

Ao inv\u00e9s de textos explicativos, Fernando Cocchiarale optou por dar o contexto hist\u00f3rico do Brasil, para as obras de arte, por meio de fotografias dispostas em nove vitrines, de 1,70m cada, distribu\u00eddas pelo espa\u00e7o expositivo. S\u00e3o registros do Brasil imperial, com nobres, escravos, etnogr\u00e1ficos, do cotidiano, da vida pol\u00edtica, ou ainda de grupos como garimpeiros, candangos e \u00edndios, de mais de 20 fot\u00f3grafos, de Franz Keller, Marc Ferrez, Jorge Henrique Papf, Mart\u00edn Chambi, Alberto Ferreira Lima, Luis Humberto, Walter Firmo, Luis Brito, Milton Guran, Orlando Azevedo, Orlando Brito, Leopoldo Plentz, Duda Bentes, Carlos Terrana, Andr\u00e9 Dusek, Nino Rezende e Antonio Dorgivan, entre outros.<\/p>\n

Jackson Pollock<\/figcaption><\/figure>\n

\u201cO territ\u00f3rio onde a imagem e a palavra se encontram \u00e9 o fotojornalismo. \u00c9 de sua natureza uma proximidade muito grande com a not\u00edcia, que \u00e9 verbal. A foto \u00e9 uma sobrenot\u00edcia. As cole\u00e7\u00f5es do MAM t\u00eam maravilhosas obras que podem ser consideradas fotojornalismo. Franz Keller mostra em 1870 \u00edndios cobertos artificialmente, porque eles n\u00e3o poderiam aparecer com \u2018suas vergonhas\u2019 \u00e0 mostra, como disse Pero Vaz de Caminha, e foram adaptados \u00e0 moral vitoriana. Papff tem umas fotografias incr\u00edveis de cafezais\u201d, destaca.<\/p>\n

Dentre as mais de 100 obras, estar\u00e3o tamb\u00e9m as dos artistas Brecheret, Bruno Giorgi, Lygia Clark, Regina Vater, Diane Airbus, Marcia X (com \u201cA cadeira careca\u201d, seu \u00faltimo trabalho, feito em 2004 com Ricardo Ventura), Luiz Pizarro, Jorge Duarte, Carlos Vergara, Guilherme Vaz, Marcelo Moscheta e Jonathas de Andrade.<\/p>\n

\u201cN\u00e3o acho que a arte tem que estar a servi\u00e7o de nenhum discurso. N\u00e3o h\u00e1 continuidade entre a experi\u00eancia visual e discurso. Se eu e Fernanda Lopes \u201ceditarmos\u201d bem, podemos criar um certo fluxo sem\u00e2ntico com a exposi\u00e7\u00e3o\u201d, complementa Fernando Cocchiarale.<\/p>\n

At\u00e9 06 de novembro.<\/strong><\/p>\n

 <\/p>\n

\"avatar_renato_rosa\"<\/a><\/em><\/h5>\n
Coluna – Renato Rosa<\/b><\/a><\/em><\/h5>\n
\n
Renato Rosa, brasileiro, S\u00e3o Gabriel, RS, Brasil, 1946. Marchand, pesquisador, editor do jornal cultural O PARALELO do site www.bolsadearte.com\/oparalelo<\/a>, co-autor do \u201cDicion\u00e1rio de Artes Pl\u00e1sticas no Rio Grande do Sul\u201d, (2\u00aa edi\u00e7\u00e3o, 2000, esgotada) Editora da Universidade\/UFRGS.<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Neste s\u00e1bado, dia 30 de julho, o MAM Rio, Parque do Flamengo, Rio de Janeiro, RJ, inaugura a grande exposi\u00e7\u00e3o \u201cEm polvorosa – Um panorama das cole\u00e7\u00f5es do MAM Rio\u201d, […]<\/p>\n","protected":false},"author":34415,"featured_media":829,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-828","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colunistas"],"yoast_head":"\nCole\u00e7\u00f5es do MAM RIO - Arte351 - Art Magazine Portugal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte351.pt\/art\/2016\/07\/28\/colecoes-do-mam-rio\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cole\u00e7\u00f5es do MAM RIO - 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