{"id":9085,"date":"2025-02-08T06:24:55","date_gmt":"2025-02-08T06:24:55","guid":{"rendered":"https:\/\/arte351.pt\/art\/?p=9085"},"modified":"2025-02-07T18:25:49","modified_gmt":"2025-02-07T18:25:49","slug":"rhapsody-in-blue-de-gershwin","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2025\/02\/08\/rhapsody-in-blue-de-gershwin\/","title":{"rendered":"Rhapsody in Blue de Gershwin"},"content":{"rendered":"

Orquestra Metropolitana de Lisboa e Thomas Enhco<\/strong><\/p>\n

Coprodu\u00e7\u00e3o Centro Cultural de Bel\u00e9m, Metropolitana<\/span><\/p>\n

\n

\n

CCB . 16 de fevereiro . domingo . 17h00 . Grande Audit\u00f3rio<\/strong><\/p>\n

16h30: Conversa pr\u00e9-concerto com o music\u00f3logo Rui Campos Leit\u00e3o e Ces\u00e1rio Costa, maestro e programador de M\u00fasica Erudita do CCB. Atividade exclusiva para portadores de bilhete para o concerto.<\/strong><\/p>\n

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Programa<\/u><\/p>\n

Carlos Azevedo (n. 1964)<\/strong>\u00a0<\/span>Beyond Blue\u00a0<\/span><\/em>(obra em estreia\/encomenda CCB<\/strong>)<\/p>\n

Maurice Ravel (1875-1937)<\/strong>\u00a0<\/span>Concerto para Piano e Orquestra em Sol Maior<\/em><\/p>\n

Maurice Ravel\u00a0<\/span><\/strong>Suite do bailado\u00a0<\/span>Ma m\u00e8re l’Oye<\/em><\/p>\n

George Gershwin (1898-1937)\u00a0<\/span><\/strong>Rhapsody in Blue\u00a0<\/span><\/em>(vers\u00e3o para piano e pequena orquestra)<\/p>\n

\n

Ficha art\u00edstica<\/u><\/p>\n

Piano\u00a0<\/span>Thomas Enhco<\/strong><\/p>\n

Dire\u00e7\u00e3o musical\u00a0<\/span>Pedro Neves<\/strong><\/p>\n

Orquestra Metropolitana de Lisboa<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

A\u00a0Rhapsody in Blue<\/em>\u00a0leva-nos ao tempo da proibi\u00e7\u00e3o do consumo do \u00e1lcool e da prolifera\u00e7\u00e3o dos espa\u00e7os de entretenimento noturno onde floresceram as primeiras grandes figuras do\u00a0<\/span>jazz<\/em>. Foi em 1924, em Nova Iorque, que Gershwin tocou \u00e0 frente da orquestra de Paul Whiteman para mostrar ao mundo que aquele novo g\u00e9nero musical ia muito al\u00e9m do estigma das comunidades desfavorecidas e discriminadas. Ravel sabia-o bem. Em 1928, percorreu os EUA de norte a sul e de costa a costa. Inspirou-se ent\u00e3o para compor um concerto para piano marcado pelas harmonias do\u00a0<\/span>blues<\/em>\u00a0<\/span>e pelos ritmos sincopados do\u00a0<\/span>ragtime<\/em>. No lugar de ambos, senta-se agora ao piano Thomas Enhco, um pianista que tamb\u00e9m cruza a tradi\u00e7\u00e3o cl\u00e1ssica com a prontid\u00e3o expressiva do\u00a0<\/span>jazz<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Orquestra Metropolitana de Lisboa e Thomas Enhco Coprodu\u00e7\u00e3o Centro Cultural de Bel\u00e9m, Metropolitana CCB . 16 de fevereiro . domingo . 17h00 . 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