{"id":915,"date":"2016-08-31T10:19:43","date_gmt":"2016-08-31T10:19:43","guid":{"rendered":"http:\/\/arte351.pt\/art\/?p=915"},"modified":"2016-09-15T10:31:52","modified_gmt":"2016-09-15T10:31:52","slug":"ponto-de-transicao","status":"publish","type":"post","link":"https:\/\/arte351.pt\/art\/2016\/08\/31\/ponto-de-transicao\/","title":{"rendered":"PONTO DE TRANSI\u00c7\u00c3O"},"content":{"rendered":"
\"Franklin
Franklin Cassaro<\/figcaption><\/figure>\n

O Centro de Artes Visuais da Funarte \/ MinC realiza, a exposi\u00e7\u00e3o \u201cPonto Transi\u00e7\u00e3o\u201d, que re\u00fane trabalhos de 30 artistas e coletivos contempor\u00e2neos de diversas linguagens e tend\u00eancias, articulados em um circuito de espa\u00e7os no interior da Fundi\u00e7\u00e3o Progresso. As obras foram selecionadas pelos curadores art\u00edsticos Luiza Interlenghi, Sonia SalcedodelCastillo e Xico Chaves, do Centro de Artes Visuais da Funarte\/MinC, a partir do grande universo de artistas que participaram nos \u00faltimos doze anos de editais da institui\u00e7\u00e3o, em um amplo processo de mapeamento da produ\u00e7\u00e3o de artes visuais que envolveu cr\u00edticos de todo o pa\u00eds. \u201cPonto Transi\u00e7\u00e3o\u201d integra a programa\u00e7\u00e3o cultural dos Jogos Paral\u00edmpicos no Rio de Janeiro, e os trabalhos expostos compreendem interven\u00e7\u00f5es urbanas, poemas visuais, fotografia, audiovisuais, videoinstala\u00e7\u00f5es, esculturas, objetos, trabalhos de coletivos art\u00edsticos e outras formas de m\u00faltipla express\u00e3o. Haver\u00e1 ainda uma intensa programa\u00e7\u00e3o de performances e conversas abertas ao p\u00fablico, com artistas e pensadores.<\/p>\n

\"Hugo
Hugo Houayeck<\/figcaption><\/figure>\n

Muitas obras foram feitas especialmente para esta exposi\u00e7\u00e3o, como \u00e9 o caso dos artistas Alex Hamburger, Alexandre Dacosta, Ana Muglia, Franklin Cassaro, Helena Trindade, Hugo Houayek, Jo\u00e3o Mod\u00e9, Raul Mour\u00e3o, Ricardo Basbaum, com Jo\u00e3o Camillo Penna, Thomas Jeferson, Coletivo Vade Retro Abacaxi, Val\u00e9ria Costa Pinto, Victor Arruda e Wlademir Dias-Pino, com Regina Pouchain. Outros artistas ir\u00e3o recriar trabalhos emblem\u00e1ticos, como Ana Vit\u00f3ria Mussi, Armando Queiroz, Chang Chi Chai, Eduardo Coimbra, Elisa de Magalh\u00e3es, Irm\u00e3os Guimar\u00e3es, Marcio Zardo, Marcos Bonisson, Marcos Chaves, Martha Niklaus, Ricardo Aleixo, Ronald Duarte, Suzana Queiroga, Tchellod`Barros e Tina Velho. A Galeria Transparente, projeto com curadoria de Frederico Dalton, ter\u00e1 um territ\u00f3rio na exposi\u00e7\u00e3o para uma programa\u00e7\u00e3o pr\u00f3pria de performances, com os artistas Nivaldo Carneiro, TetsuoTakita, Rodrigo Munhoz, Pedro Paulo Domingues, Helena Wassersten, Crioulos de Cria\u00e7\u00e3o, Coletivo S.T.A.R., Clarisse Tarran& Edu Mariz, Monica Barki, Lilian Amaral e Andr\u00e9 Sheik.<\/p>\n

\"Ana
Ana Vit\u00f3ria Mussi<\/figcaption><\/figure>\n

Para Xico Chaves, diretor do Centro de Artes Visuais da Funarte, \u201c\u2026a exposi\u00e7\u00e3o traduz um momento de transi\u00e7\u00e3o das artes visuais, que o Brasil representa bem\u201d. \u201cEstamos em uma transi\u00e7\u00e3o mundial, global. As artes visuais est\u00e3o acolhendo experimenta\u00e7\u00f5es que n\u00e3o podem ser realizadas no campo de outras linguagens. Nas artes visuais essas manifesta\u00e7\u00f5es encontram uma liberdade e um espa\u00e7o de concep\u00e7\u00e3o e amplitude irrevers\u00edveis\u201d, afirma. \u201cNeste momento de transi\u00e7\u00e3o, voc\u00ea vai encontrar uma diversidade m\u00faltipla, e n\u00e3o uma sequ\u00eancia de performances similares\u201d. Ele destaca que a Funarte \u201ctem como fun\u00e7\u00e3o estimular o que n\u00e3o est\u00e1 no mercado\u201d. \u201cInstitucionalmente tem que atender a esses processos de experimenta\u00e7\u00e3o\u201d.<\/p>\n

\u201cPonto Transi\u00e7\u00e3o\u201d tamb\u00e9m coloca em evid\u00eancia o trabalho curatorial. Xico Chaves acentua que \u201cesta \u00e9 uma oportunidade de trazer a curadoria de volta \u00e0 institui\u00e7\u00e3o, que conta com profissionais altamente qualificados\u201d. \u201cA Funarte criou um campo de expans\u00e3o permanente, acelerad\u00edssimo, em que foi tudo incorporado: poesia visual, performances, interven\u00e7\u00f5es urbanas, coletivos, uma nova abordagem sobre o objeto, novas tecnologias, obras que n\u00e3o se classificam de uma forma s\u00f3, sem excluir as express\u00f5es art\u00edsticas convencionais.<\/p>\n

\"Alex
Alex Hamburger<\/figcaption><\/figure>\n

Arte em campo inst\u00e1vel<\/p>\n

Luiza Interlenghi situa a exposi\u00e7\u00e3o em um recorte da arte em campo inst\u00e1vel, \u00e1rea que pesquisa h\u00e1 quatro anos. \u201cBuscamos mostrar as po\u00e9ticas de artistas que se posicionam em uma transi\u00e7\u00e3o, entre espa\u00e7os tradicionais da arte e os n\u00e3o art\u00edsticos, galerias e ruas, subvertendo a rela\u00e7\u00e3o do trabalho com as institui\u00e7\u00f5es\u201d, explica. \u201cOutra discuss\u00e3o que est\u00e1 presente em trabalhos de v\u00e1rios artistas \u00e9 a liquidez de fluxo, de sociedade de transi\u00e7\u00e3o, de uma cultura movente, que demanda sempre um posicionamento individual a cada momento\u201d. Ela ressalta que esta \u00e9 uma discuss\u00e3o j\u00e1 travada nas ci\u00eancias sociais por ZygmuntBauman e Anthony Giddens, mas \u201cque permite um olhar para esta produ\u00e7\u00e3o contempor\u00e2nea que lida com este fato de uma maneira po\u00e9tica, l\u00fadica, \u00e0s vezes cr\u00edtica\u201d. \u201cA curadoria acolheu a transi\u00e7\u00e3o, os processos, as linguagens dos artistas, e dialogou com o espa\u00e7o da Fundi\u00e7\u00e3o. Vai haver um espa\u00e7o de reflex\u00e3o, de conversa, de estar, uma sala multiuso, com v\u00eddeos, publica\u00e7\u00f5es de arte, dispon\u00edveis para o p\u00fablico\u201d, destaca.<\/p>\n

\"Jo\u00e3o
Jo\u00e3o Mod\u00e9<\/figcaption><\/figure>\n

Poesia expandida<\/p>\n

Sonia Salcedo acentua que as obras da exposi\u00e7\u00e3o lidam com essa quest\u00e3o da arte fora do cubo herm\u00e9tico, branco. \u201cBuscamos reunir elementos das artes visuais que tratassem desse aspecto, esta conflu\u00eancia dessas linguagens mais transit\u00f3rias, que deu origem a esta proposta de \u2018Ponto Transi\u00e7\u00e3o\u2019, ao inv\u00e9s de objetos de arte convencionais\u201d. Ela acentua que a expografia n\u00e3o ser\u00e1 apenas uma arquitetura expositiva, e sim \u201cuma extens\u00e3o, no espa\u00e7o, do conceito curatorial\u201d. \u201cA exposi\u00e7\u00e3o lida com essas camadas de um processo de hibridiza\u00e7\u00e3o da arte, no qual as categorias, os modos antes evocados para uma classifica\u00e7\u00e3o, essas barreiras s\u00e3o destitu\u00eddas, desmoronam, e nos estilha\u00e7os h\u00e1 uma migra\u00e7\u00e3o de linguagem, meios, suportes, em que se encontra um terreno muito prof\u00edcuo da poesia expandida, que \u00e9 pra onde converge meu entendimento do fazer curatorial\u201d, explica. Ela acrescenta que a curadoria buscou \u201cfamiliarizar o espa\u00e7o com a po\u00e9tica que cada artista est\u00e1 desenvolvendo\u201d. \u201cN\u00e3o existe um roteiro, uma circula\u00e7\u00e3o linear\u201d, diz.<\/p>\n

De 1\u00ba a 18 de setembro.<\/p>\n

 <\/p>\n

\"avatar_renato_rosa\"<\/a><\/em><\/h5>\n
Coluna – Renato Rosa<\/b><\/a><\/em><\/h5>\n
\n
Renato Rosa, brasileiro, S\u00e3o Gabriel, RS, Brasil, 1946. Marchand, pesquisador, editor do jornal cultural O PARALELO do site www.bolsadearte.com\/oparalelo<\/a>, co-autor do \u201cDicion\u00e1rio de Artes Pl\u00e1sticas no Rio Grande do Sul\u201d, (2\u00aa edi\u00e7\u00e3o, 2000, esgotada) Editora da Universidade\/UFRGS.<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

O Centro de Artes Visuais da Funarte \/ MinC realiza, a exposi\u00e7\u00e3o \u201cPonto Transi\u00e7\u00e3o\u201d, que re\u00fane trabalhos de 30 artistas e coletivos contempor\u00e2neos de diversas linguagens e tend\u00eancias, articulados em […]<\/p>\n","protected":false},"author":34415,"featured_media":917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colunistas"],"yoast_head":"\nPONTO DE TRANSI\u00c7\u00c3O - Arte351 - Art Magazine Portugal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte351.pt\/art\/2016\/08\/31\/ponto-de-transicao\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PONTO DE TRANSI\u00c7\u00c3O - 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